Sarah J. Carlson

Contemporary Young Adult Author

Tag Archives: Young Adult Writers

Signing the publishing contract

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My mom has said on more than one occasion that when I put my mind to something, I make it happen. At the end of 7th grade, we moved from a suburb of Milwaukee to the rural town of Sparta, Wisconsin, population 9,000. I swore I’d move back to Milwaukee. I started my professional career as a school psychologist for the Milwaukee Public Schools. After I saw the movie Braveheart in like 6th grade, I swore I’d go to Scotland. I went twice; once, I even hiked to the ruins of the town my ancestors immigrated to Canada from on the Isle of Mull.

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Grazing sheep on the Isle of Mull, off the west coast of Scotland near the ruins of a town that people were forced from to make room for grazing sheep.

Before my husband and I moved to Singapore during the summer of 2013, I resolved to take a group of middle school students who had worked with me for a year in a community service club to Pine Ridge Reservation to volunteer. With the help of those students and many others, I managed to get the whole trip paid for at no expense to the students and navigate the bureaucracy of my school district to make it happen.

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Our autographed school t-shirt that went on the wall of Re-Member. Mitakuye Oyasin means “all [people/things] are related” in Lakota.

From a very young age, I loved making up elaborate worlds and stories in my imagination. I’d be running around in my back yard by myself, talking to entire casts of characters that existed only in my mind. I’d often rope my four younger siblings in, too. I first realized my love of writing those stories down in 4th grade when I was selected to go to a special writing convention for all the elementary schools in the area. All our short stories were printed and bound into a book. After that were many notebooks filled with stories inspired by Stephen King and Michael Creighton. Some of them are still in a box in my parent’s attic somewhere. After that was an elaborate sci-fi story I spent many hours researching Europa and methods of faster-than-light travel and star systems with habitable planets. I finally finished a draft at some point in college. It was 240,000 words. *cringe*

After I let someone look at it, then couldn’t pay them to read the whole thing, I knew I needed to learn more. So I took critique classes at UW-Madison, went to conferences, and got involved in more critique groups and read books. Wrote several more (and better) books that I queried without luck. About five years ago, after a trip to Belfast, Northern Ireland, I was inspired. I started researching and learning. Then, while sitting at an Irish pub in Madison, Wisconsin, I took the first primordial steps toward writing a book that is now called All the Walls of Belfast.

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Taken by me at a bonfire in Tiger’s Bay, Belfast on Bonfire Night (July 12th, 2011).

Then I moved to Singapore for my husband’s job, found more writer friends, and really, really got serious about writing. I got involved in the fabulous Singapore Writers Group within a week of getting off the plane and focused on developing my craft, critiquing others, and taking and applying constructive feedback, even when it was hard to hear. Researching, so much researching. And re-writing—and re-writing again—while riding busses and sitting in various coffee shops in Holland Village and Robertson Quay and Buona Vista.

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Writing on the MRT in Singapore.

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One of the many flat whites consumed at one of many coffee shops in Singapore.

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I found out about fabulous twitter-based writing contests such as Pitch Wars, Nightmare on Query Street, and #Pitchmas. other twitter pitching contests. Finally I landed an agent, Claire Anderson-Wheeler at Regal Hoffman & Associates, after she liked a tweet.

Then I moved back from Singapore and went back to work full-time as a school psychologist and had my daughter.

For the next three years, while balancing all that, I re-wrote parts of All the Walls at least twice, then basically fully re-wrote it again based on Claire’s developmental feedback and feedback from a plethora of critique partners. In the end, I’d say the whole thing ended up being re-written. Thankfully, Claire never stopped believing in Danny and Fiona and my abilities as a writer, but she challenged me over and over again to find the heart of my story and focus on that.

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Sampling of the many, MANY post-it notes that helped get me through.

It’s hard to quantify amount the support I’ve gotten over the years from Claire, and from fellow writers in Madison and Singapore and Belfast (also my far-flung crit buddies in Belgium, Turkey, and Cali), who have been essential in pushing All the Walls of Belfast to be more accurate, more authentic, more focused.

The past five years of working on this manuscript has felt like running a mentally (and sometimes physically) exhausting marathon with an ever-moving finish line. I’ve lost count of how many files I’ve naively saved with “final draft” tacked on the end.

But, like my mom has always said, when I put my mind to something, I never give up.

So, I still can’t believe I’m writing this, but….

Finally, in February 2018, the manuscript went on submission. I signed my contact with Turner Publishing (distributed by Ingram) on March 27th, 2018 while on a road trip to Colorado. After speaking with the acquisitions editor, I knew they were the perfect fit. They loved Fiona and Danny as much as I do and got All the Wall’s potential to expand the worldview of American readers and teach them something new.

I still can’t believe that soon I’ll be holding a copy of my book baby.

Persistence, perseverance, patience, and a lot (a LOT) of hard work really can make dreams come true.

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Picture taken on a three day hike on the Routeburn Track on the South Island of New Zealand. I *may* have come a few inches from falling off a cliff.

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After 7+ Years of Querying

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Writing like six different novels (at least), then landing an agent and revising for three years, I can officially announce…

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Still doesn’t totally feel real.

All the Walls of Belfast, March 2019!

More details to come 🙂

All the Walls of Belfast Novel Aesthetic

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All the WallsI’m in between writing projects at the moment, so I took some time to play around with creating my very first novel aesthetic for All the Walls of Belfast. Most of the pictures are my own, but the others I obtained from Shutterstock and Pixabay. So excited about it!

Drawing inspiration from adventure

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I’ve been busy updating my website. My biggest project: creating new photo pages documenting my journeys in Belfast and around Northern Ireland as a part of my research for All the Walls of Belfast, my YA novel. My first trip was in July 2011. I returned in July 2015, and then a third time in June 2016 (incidentally the day of the Brexit vote). These trips gave me the priceless opportunity to delve deep into the past, current events, differing perspectives, culture, dialect, and setting. Feel free to take a look 🙂

The post-it notes that helped get me through

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IMG_7442Revisions and major re-writes are hard. To put it VERY mildly. Scuplting your latest draft into a thing of beauty require completely different mental processes than pounding out that initial first draft. And, for me, each round of revision requires a focus on a different part, starting with each POV character’s internal and external story arc, then the evolution of their relationships with secondary characters, then setting/dialect, then finally line edits and word count. Then, for me at least, repeat the process again after any feedback that leads to major changes.

To help me keep my brain focused on the right things, I plastered the wall over my computer with notes to self, presented to you in no particular order above.

Stakes: What’s at stake for each character? The world (if appropriate)? How are the stakes rising with each section, each page? What happens if the main character gets what they seek? What’s at stake if they fail, for them personally, but also possibly their loved ones, and their community/world? And why should I care as a reader?

Goal, Motivation, Conflict: What is the character’s goal? Why do they NEED it? And what’s getting in their way? Every chapter should have it’s own GMC and should move the overall internal/external plot forward. Thankfully, I had several critique partners who hounded me about this 😀 Gotta love good CPs!

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Agency: What active role is the main character taking to achieve their goal, to resolve the internal/external conflict? What choices are they making that drive the plot forward and have serious consequences?

Backstory: This I got from Angela Ackerman’s Backstory Checklist.

Chapter One: I literally wrote at least a dozen different chapter ones for my most recent WIP. Finding a starting point was a challenge. Beyond that, it was hard find the balance of essential information/backstory with action, dialogue, and forward momentum.

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Okay, that’s an exaggeration, but still it’s no easy task because chapter one is the foundation of your book, where you create the contract with your reader, set expectations about genre, voice, character, central conflict, hint at obstacles and antagonists, etc. I like to think of it as the seeds you plant that will grow into the rest of your story. Writing a good first chapter is an art.

IMG_6664(My back garden at dawn)

The Backstory and Chapter One post-its are directly tied to my next post-it, what can the reader find out later? One of my greatest struggles with chapter one was the complicated situation that set the stage for one of my POV character’s inciting incident. But how much was absolutely essential for the reader to know to get the gist of what was going on and to connect to the character? Asking what the reader can find out later helped me stay focused on writing the active scene as opposed to drowning them in all the stuff that set the stage, which could be dribbled in over the next few chapters.

Patience/take your time: waiting for critique feedback, taking revisions slow, putting the WIP through another round of feedback can be excruciating when you just want to be DONE. Or maybe you’re 99% certain you are done. But sculpting you WIP into the best it can be is what really matters in the end, whether your goal is to get an agent, or get it on submission, or prepare it for publication (self-publishing, Big Five, and everything in between).

Open mind: Getting critique partner feedback can be very hard. Good critique partners should always give you hard but constructive feedback that challenges you as a writer. I can’t count the times CPs have called me out on stuff I didn’t realize or ignored. There were so many times I just wanted to ignore hard feedback, rationalize it away, but then weeks or sometimes months later, I realized they were right. Of course, the caveat is that it must be true to your story, not what they think your story should be.

Nice vs. necessary: Word count was a big issue for me in this revision. I needed to cut at least 15,000 words. Hence nice vs. necessary. What scenes, characters, bits of dialogue and prose, lines, even words are absolutely necessary to move plot and character development forward? If it doesn’t fit into that category, cut it. A scene description might be pretty, a bit of dialogue funny, or a bit of prose may be lyrically inspiring, but if it’s not moving things forward, it’s not needed.

It’s not just what you think is the goal, the reader must feel it: You won’t be sitting next to a reader telling them, oh, Bob needs to figure out he’s worthy of love, or Susie needs to realize they can love their father and hate what he did. The reader needs to be able to infer that on their own. If multiple CPs aren’t picking up on it, then it’s not working.

Filter words/interiority reveals something new: This is also related to slashing word count. For more on filter words, here’s something from Pub(lishing) Crawl. And when your character is thinking something make sure it’s revealing new information or perspective, not just rehashing what’s already on the page.

These post-it notes were some of things that helped me emerge from this round of intense re-writes, revisions, and line edits feeling proud of what I sculpted.

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